Filter Foundry - Fan Dong

<div class="wp-caption aligncenter" id="attachment_2625" style="width: 600px;"><a href="http://www.bobnolin.com"><img alt="Friends Stick Together, by Bob Nolin. Painted with Photoshop CS5. " class="size-full wp-image-2625" height="361" src="http://www.digitalimagemagazine.com/blog/wp-content/uploads2010/2011/06/hiatus.jpg" title="hiatus" width="590" /></a><p class="wp-caption-text">Friends Stick Together, by Bob Nolin. Painted with Photoshop CS5. </p></div> <h5>Digital Image Magazine is on hiatus for an indefinite time. In the meantime, please make use of the more than 180 articles (tutorials, reviews, inspirations, etc.) here for you. </h5> <div class="shr-publisher-2624"></div><div style="clear: both; height: 3px; width: 100%;"></div><div class="shareaholic-like-buttonset" style="float: none; height: 30px;"><a class="shareaholic-fblike"></a><a class="shareaholic-fbsend"></a></div><div style="clear: both; height: 3px; width: 100%;"></div><img alt="" src="http://www.digitalimagemagazine.com/blog/?ak_action=api_record_view&id=2624&type=feed" /> <p>Related posts:<ol><li><a href="http://www.digitalimagemagazine.com/blog/featured/a-collection-of-helpful-websites-for-digital-artists/" rel="bookmark" title="Permanent Link: A Collection of Helpful Websites for Digital Artists">A Collection of Helpful Websites for Digital Artists</a> <small>Here's a hand-picked list of great websites devoted to creating...</small></li> <li><a href="http://www.digitalimagemagazine.com/blog/featured/resources-online-training-for-digital-painting/" rel="bookmark" title="Permanent Link: Resources: Online Training for Digital Painting">Resources: Online Training for Digital Painting</a> <small>Learn digital art in the comfort of your own home!...</small></li> <li><a href="http://www.digitalimagemagazine.com/blog/featured/tutorial-how-to-create-your-own-image-hose-nozzles/" rel="bookmark" title="Permanent Link: Tutorial: How to create your own Image Hose nozzles">Tutorial: How to create your own Image Hose nozzles</a> <small>You can do amazing things with the Image Hose loaded...</small></li> </ol></p>

UPDATED: 1 YEAR, 11 MONTHS

Review: Secrets of Corel Painter Experts

<div class="wp-caption aligncenter" id="attachment_2605" style="width: 600px;"><a href="http://www.andreasrocha.com"><img alt="Beacon, by Andreas Rocha" class="size-full wp-image-2605" height="251" src="http://www.digitalimagemagazine.com/blog/wp-content/uploads2010/2011/05/Beacon.jpg" title="Beacon" width="590" /></a><p class="wp-caption-text">Beacon, by Andreas Rocha</p></div> <p><a href="http://www.amazon.com/gp/product/143545720X/ref=as_li_qf_sp_asin_tl?ie=UTF8&tag=digiimagmaga-20&linkCode=as2&camp=217145&creative=399349&creativeASIN=143545720X">Secrets of Corel Painter Experts: Tips, Techniques, and Insights for Users of All Abilities</a><img alt="" border="0" height="1" src="http://www.assoc-amazon.com/e/ir?t=digiimagmaga-20&l=as2&o=1&a=143545720X&camp=217145&creative=399349" style="border: none !important; margin: 0px !important;" width="1" /> by Daryl Wise and Linda Hellfritsch, is a new title from Course Technology PTR. It is printed in their familiar 7×9″ horizontal format. This makes it a bit hard to read, holding it in your lap, but it works very well lying open on a desk. The spine design allows the book to lie flat quite easily, without damaging the book. This is a dense, 314-page, color-filled book, with lots of great paintings to look at and be inspired by. Inspiration, in fact, is what this book is all about.</p> <p><div class="wp-caption aligncenter" id="attachment_2607" style="width: 586px;"><img alt="A New York Minute, by Richard Swiatlowski" class="size-full wp-image-2607" height="384" src="http://www.digitalimagemagazine.com/blog/wp-content/uploads2010/2011/05/A-NEW-YORK-MINUTE-06.jpg" title="A-NEW-YORK-MINUTE-06" width="576" /><p class="wp-caption-text">A New York Minute, by Richard Swiatlowski</p></div><span id="more-2597"></span></p> <p>The book highlights the work of 17 artists currently using Painter as part of their workflow. The range of styles is quite diverse, which is one of the book’s strengths. The majority of the works here are paintings created from scratch. Only a few artists here use Painter to modify photographs. Mostly what is presented here are what I would call illustrations or fine art paintings. The artists, for the most part, are new, to me at least. It’s nice to see some new blood. The stable of Corel Masters is getting rather tired at this point. </p> <p><div class="wp-caption aligncenter" id="attachment_2608" style="width: 600px;"><img alt="The Moon, by Song Yang" class="size-full wp-image-2608" height="862" src="http://www.digitalimagemagazine.com/blog/wp-content/uploads2010/2011/05/the-moon.jpg" title="the-moon" width="590" /><p class="wp-caption-text">The Moon, by Song Yang</p></div> <p>Each chapter includes information about the artist (software and hardware used, education, clients, and awards), a short interview section, a gallery of work, and a Technique section. This is where you’ll find one or two tutorials by each artist. These vary in level of detail. For instance, Chet Phillips’ tutorial is just that: a low-level, what-settings-to-use sort of tutorial (it’s great, too, by the way); most of the tutorials are more high-level. You’ll gain an understanding of the artist’s approach and workflow. For the most part, these are not follow-along projects. </p> <p>For this sort of book, that’s perfect. As the title indicates, there are some “secrets” here: you’ll pick up quite a few clever tricks and new ideas browsing through each chapter. It’s fascinating to see how many different ways a single program can be used. Of course, nearly all of the artists here use Photoshop and other programs, in addition to Painter. This is the way it is in the world of professional art: no one program does it all. </p> <p>The printing quality is first-rate. There is a DVD attached which pretty much contains nothing more than the same works shown in the printed book. These images look better in the book than in the tiny JPGs on the DVD. Be warned–the back of the book states that the DVD contains video tutorials, desktop wallpaper, and Painter movies. I found only two artists who had additional content. Still, the book itself is very worthwhile. You’ll be happy to have it on hand next time you need some inspiration and new ideas. </p> <div class="wp-caption aligncenter" id="attachment_2609" style="width: 600px;"><img alt="Page from Anomaly graphic novel, by Brian Haberlin" class="size-full wp-image-2609" height="392" src="http://www.digitalimagemagazine.com/blog/wp-content/uploads2010/2011/05/page-from-anomaly-graphic-novel.jpg" title="page-from-anomaly-graphic-novel" width="590" /><p class="wp-caption-text">Page from Anomaly graphic novel, by Brian Haberlin</p></div> <div class="wp-caption aligncenter" id="attachment_2610" style="width: 600px;"><img alt="Together, by Pete Revonkorpi" class="size-full wp-image-2610" height="490" src="http://www.digitalimagemagazine.com/blog/wp-content/uploads2010/2011/05/Together.jpg" title="Together" width="590" /><p class="wp-caption-text">Together, by Pete Revonkorpi</p></div> <div class="wp-caption aligncenter" id="attachment_2614" style="width: 600px;"><img alt="Anno 1404 - Harbour, by Torsten Wolber" class="size-full wp-image-2614" height="785" src="http://www.digitalimagemagazine.com/blog/wp-content/uploads2010/2011/05/Anno1404_Harbour-01.jpg" title="Anno1404_Harbour-01" width="590" /><p class="wp-caption-text">Anno 1404 - Harbour, by Torsten Wolber</p></div> <div class="wp-caption aligncenter" id="attachment_2615" style="width: 537px;"><img alt="William Shakespaw, by Chet Phillips" class="size-full wp-image-2615" height="897" src="http://www.digitalimagemagazine.com/blog/wp-content/uploads2010/2011/05/William-Shakespaw.jpg" title="William-Shakespaw" width="527" /><p class="wp-caption-text">William Shakespaw, by Chet Phillips</p></div> <div class="wp-caption aligncenter" id="attachment_2616" style="width: 510px;"><img alt="Tupac, by Mike Thompson" class="size-full wp-image-2616" height="476" src="http://www.digitalimagemagazine.com/blog/wp-content/uploads2010/2011/05/Tupac.jpg" title="Tupac" width="500" /><p class="wp-caption-text">Tupac, by Mike Thompson</p></div> <p><a href="http://www.amazon.com/gp/product/143545720X/ref=as_li_qf_sp_asin_tl?ie=UTF8&tag=digiimagmaga-20&linkCode=as2&camp=217145&creative=399349&creativeASIN=143545720X">Secrets of Corel Painter Experts: Tips, Techniques, and Insights for Users of All Abilities</a><img alt="" border="0" height="1" src="http://www.assoc-amazon.com/e/ir?t=digiimagmaga-20&l=as2&o=1&a=143545720X&camp=217145&creative=399349" style="border: none !important; margin: 0px !important;" width="1" /> by Daryl Wise and Linda Hellfritsch.</p> <div class="shr-publisher-2597"></div><div style="clear: both; height: 3px; width: 100%;"></div><div class="shareaholic-like-buttonset" style="float: none; height: 30px;"><a class="shareaholic-fblike"></a><a class="shareaholic-fbsend"></a></div><div style="clear: both; height: 3px; width: 100%;"></div><img alt="" src="http://www.digitalimagemagazine.com/blog/?ak_action=api_record_view&id=2597&type=feed" /> <p>Related posts:<ol><li><a href="http://www.digitalimagemagazine.com/blog/featured/review-advanced-painter-techniques-by-don-seegmiller/" rel="bookmark" title="Permanent Link: Review: Advanced Painter Techniques by Don Seegmiller">Review: Advanced Painter Techniques by Don Seegmiller</a> <small>An in-depth review of a new book from Don Seegmiller,...</small></li> <li><a href="http://www.digitalimagemagazine.com/blog/featured/bob-nolin/" rel="bookmark" title="Permanent Link: Review: Digital Collage and Painting, by Susan Ruddick Bloom">Review: Digital Collage and Painting, by Susan Ruddick Bloom</a> <small>An indepth review of Digital Collage and Painting, by Susan...</small></li> <li><a href="http://www.digitalimagemagazine.com/blog/featured/book-review-karen-sperlings-painting-for-photographers/" rel="bookmark" title="Permanent Link: Book Review: Karen Sperling’s Painting for Photographers">Book Review: Karen Sperling’s Painting for Photographers</a> <small>Karen Sperling has a wonderful new book out for anyone...</small></li> </ol></p>

UPDATED: 1 YEAR, 11 MONTHS

Tutorial: A Photomanip Journal, Part 3

<div class="wp-caption aligncenter" id="attachment_2586" style="width: 600px;"><a href="http://www.bobnolin.com"><img alt="This week, we'll see how to take last week's image (left) and turn it into the image on the right. " class="size-full wp-image-2586" height="377" src="http://www.digitalimagemagazine.com/blog/wp-content/uploads2010/2011/05/before-after-header.jpg" title="before-after-header" width="590" /></a><p class="wp-caption-text">This week, we'll see how to take last week's image (left) and turn it into the image on the right. </p></div> <p>Before we begin Part 3, let’s do a quick review. In Part 1, we chose a photo of a model and an environment for her to “live” in. We added a third piece (a new floor) to complete the initial photo composition. In Part 2, we used the ornate stained glass window to create its own mask, thus “removing” the panes of glass. Now we can add a new background image, to serve as the view out the window. Today, in Part 3, we will add 17 layers to adjust the coloring and lighting, to change the image from Part 2 into something exciting and colorful.</p> <div class="wp-caption alignleft" id="attachment_2584" style="width: 233px;"><img alt="To help us stay sane, we'll put the layers into groups, since there are 17 total layers. " class="size-full wp-image-2584" height="184" src="http://www.digitalimagemagazine.com/blog/wp-content/uploads2010/2011/05/all-groups.jpg" title="all-groups" width="223" /><p class="wp-caption-text">To help us stay sane, we'll put the layers into groups, since there are 17 total layers. </p></div>Before you run screaming out of the room at the very thought of 17 layers, let me assure you it’s not as bad as you might think. Photoshop’s groups act like folders, which help us to organize the layers. Groups can really save your sanity. Here you can see the 17 layers arranged into four groups. The layers are arranged into groups according to the major object being modified. So, for example, the topmost group is the figure group, and it contains the layers which modify our lady in waiting. Here’s what is in the Figures group.</p> <p><span id="more-2583"></span><br /> <div class="wp-caption aligncenter" id="attachment_2587" style="width: 360px;"><img alt="Clicking on the side-pointing arrow opens up the group. Here are the layers which make up the Figures group. " class="size-full wp-image-2587" height="534" src="http://www.digitalimagemagazine.com/blog/wp-content/uploads2010/2011/05/figure-group-layers.jpg" title="figure-group-layers" width="350" /><p class="wp-caption-text">Clicking on the side-pointing arrow opens up the group. Here are the layers which make up the Figures group. </p></div> <p>The very top layer is set to blending mode hard light. This is a blank layer, and the blending mode allows us to paint on her hair and brighten it up a lot. We also can shape the hair a bit, and add some queenly length.</p> <p>Notice that the figure itself is on a transparent layer. We can use this transparency to clip (mask) layers above the figure. That’s what those right-angle symbols mean: a clipping mask is turned on. You can have more than one layer clipped by the bottom layer, as here (we have two layers being clipped by the queen figure). This means that we can only paint inside the area taken up by the pixel in the Original image layer (the queen). We can add a rim light (a glowing edge) by painting with an airbrush all around the upper edges of the figure, on a blank layer (see layer “rim light”). Turn on blending mode Linear Dodge (add) to punch up the glow. Don’t worry about painting “outside the lines:” the clipping mask won’t let you. Clipping masks are very helpful, and a big time saver. Once you see how they work, you’ll use them all the time. </p> <p>The layer I lazily left named “Levels 3″ also uses the queen image layer as a clipping mask. Here, I’ve added a levels adjustment layer with a layer mask. The clipping mask restricts the levels adjustment to just the queen, and nothing else. The layers mask allows me to lighten, with the paint brush, the darkening created by the levels adjustment, in selected areas. This is a technique I’ve explained in detail in past tutorials, so I won’t spend any more time on it here.</p> <p>The bottom-most layer in the Figure group is a simple blank layer, with dark, soft-edged shadows painted behind the queen. She overlaps the shadows, because her layer is above the layer with the shadows. Next we have the Floor group. </p> <div class="wp-caption aligncenter" id="attachment_2588" style="width: 360px;"><img alt="Here is the Floor group, opened up. " class="size-full wp-image-2588" height="476" src="http://www.digitalimagemagazine.com/blog/wp-content/uploads2010/2011/05/floor-layers-group.jpg" title="floor-layers-group" width="350" /><p class="wp-caption-text">Here is the Floor group, opened up. </p></div> <p>Here again, the floor object is on a transparent layer, so we can use it with clipping masks. This group is fairly straightforward: we just add three adjustment layers with clipping turned on. The adjustments modify the color, saturation, and hue. To turn it on, by the way, go Layer > Add Clipping Mask. </p> <p>Next comes the much more complicated group, the Wall and Windows. </p> <div class="wp-caption aligncenter" id="attachment_2589" style="width: 360px;"><img alt="There's quite a bit going on here in the Walls and Windows group. " class="size-full wp-image-2589" height="556" src="http://www.digitalimagemagazine.com/blog/wp-content/uploads2010/2011/05/walls-windows-group.jpg" title="walls-windows-group" width="350" /><p class="wp-caption-text">There's quite a bit going on here in the Walls and Windows group. </p></div> <p>The layer we created last week sits on the bottom of the stack in this group. Notice the layer mask we made, making the panes disappear. In this group, we are going to modify the walls and the windows only, not the view out the window. That we’ll save for last. Just as in the Floor group, we use three adjustment layers. The key here, though, is a blank layer set to Overlay blend mode. Paint on this layer to alter colors, brighten them, etc., without covering over the original pixels. It’s like painting with…stained glass! Kind of appropriate, I guess!</p> <p>Notice that here, too, we’re using the clipping masks. In this case, that means we don’t have to worry about affecting anything that’s transparent in the bottom layer. We can’t get paint on the panes, in other words, because they are made transparent by the layer mask we created in Part Two. </p> <div class="wp-caption aligncenter" id="attachment_2585" style="width: 360px;"><img alt="The bottommost group is the Background group. This is only what is visible outside the window. " class="size-full wp-image-2585" height="423" src="http://www.digitalimagemagazine.com/blog/wp-content/uploads2010/2011/05/background-group.jpg" title="background-group" width="350" /><p class="wp-caption-text">The bottommost group is the Background group. This is only what is visible outside the window. </p></div> <p>The fourth and last group contains the layers for the view outside the window. As such, they come last, so that everything else lies on top of the “view.” The only areas that show through are where we’ve created the layer mask in Part Two. The bottom-most layer in this group is an image I chose for the “view out the window.” I’ve also painted on this layer with an intense blue, which shows through nicely in the top windows. I’ve added a vibrance adjustment layer and a blank layer with yellow paint for the clouds. This yellow is supposed to look reflected in the room, on the walls. So as you work, you’ll be shifting up and down through the groups. It’s not a strictly linear process as I have shown here. </p> <p>Photomanipulation, in fact, is a process of play and experimentation. Here we’ve had a look at the final result. But it took hours to come up with these 17 layers. Luckily, groups came to the rescue, and made staying organized a breeze. I hope you found this walkthrough helpful. The final step, for me, is to flatten the image and paint it in Painter and/or Photoshop. Here’s a close-up of the final result of the painting. </p> <div class="wp-caption aligncenter" id="attachment_2594" style="width: 600px;"><img alt="Painting close-up. Painting by Bob Nolin, with thanks to Elandria on Deviant Art for the use of her stock photograph. " class="size-full wp-image-2594" height="1074" src="http://www.digitalimagemagazine.com/blog/wp-content/uploads2010/2011/05/painting-cu.jpg" title="painting-cu" width="590" /><p class="wp-caption-text">Painting close-up. Painting by Bob Nolin, with thanks to Elandria on Deviant Art for the use of her stock photograph. </p></div> <div class="shr-publisher-2583"></div><div style="clear: both; height: 3px; width: 100%;"></div><div class="shareaholic-like-buttonset" style="float: none; height: 30px;"><a class="shareaholic-fblike"></a><a class="shareaholic-fbsend"></a></div><div style="clear: both; height: 3px; width: 100%;"></div><img alt="" src="http://www.digitalimagemagazine.com/blog/?ak_action=api_record_view&id=2583&type=feed" /> <p>Related posts:<ol><li><a href="http://www.digitalimagemagazine.com/blog/featured/tutorial-a-photomanip-journal-part-2/" rel="bookmark" title="Permanent Link: Tutorial: A Photomanip Journal, Part 2">Tutorial: A Photomanip Journal, Part 2</a> <small>In Part Two, we learn how to create a complex...</small></li> <li><a href="http://www.digitalimagemagazine.com/blog/featured/tutorial-a-photomanip-journal-part-one/" rel="bookmark" title="Permanent Link: Tutorial: A Photomanip Journal, Part One">Tutorial: A Photomanip Journal, Part One</a> <small>The thinking process behind creating a photomanip is this week's...</small></li> <li><a href="http://www.digitalimagemagazine.com/blog/featured/tutorial-preparing-a-beach-photo-for-painting-in-corel-painter/" rel="bookmark" title="Permanent Link: Tutorial: Preparing a Beach Photo for Painting in Corel Painter">Tutorial: Preparing a Beach Photo for Painting in Corel Painter</a> <small>Learn how to use Photoshop to correct exposure problems in...</small></li> </ol></p>

UPDATED: 1 YEAR, 12 MONTHS

Tutorial: A Photomanip Journal, Part 2

<div class="wp-caption aligncenter" id="attachment_2571" style="width: 600px;"><a href="http://www.bobnolin.com"><img alt="In Part 2, we'll create the mask on the right from the image itself. This will allow us to have a new view out the window. " class="size-full wp-image-2571" height="382" src="http://www.digitalimagemagazine.com/blog/wp-content/uploads2010/2011/05/step-one-plus-mask.jpg" title="step-one-plus-mask" width="590" /></a><p class="wp-caption-text">In Part 2, we'll create the mask on the right from the image itself. This will allow us to have a new view out the window. </p></div> <p>In Part Two, we’ll remove the window panes, so to speak, to give our lady in waiting a new view. Once the panes are removed, we can insert a new layer underneath, using any landscape or scene we choose.</p> <p>In order to remove the current pixels making up the window in our scene (<a href="http://www.digitalimagemagazine.com/blog.featured/tutorial-a-photomanip-journal-part-one/">begun in Part 1 </a>), we need to select all the panes. At first, the Select Color Range tool looks like a good choice, but it leaves too much unselected. Ditto with the Magic Wand and the Quick Selection tools. In this case, the view outside the window is very pale: almost white. Using the Curves adjustment tool (see below) we can push the panes to nearly pure white, and darken the cames (the leading between the panes) at the same time. Once we’ve done that, Select Color Range works like a champ. Note the area (circled in red) where the bright sunlight “blew out” the cames in a few areas. We’ll have to correct that next.</p> <p><span id="more-2570"></span><br /> <div class="wp-caption aligncenter" id="attachment_2574" style="width: 600px;"><img alt="A curve adjustment increases the light areas and darkens the dark areas, which is just what we want. Now the Select Color Range will work much better. " class="size-full wp-image-2574" height="279" src="http://www.digitalimagemagazine.com/blog/wp-content/uploads2010/2011/05/curves-adj.jpg" title="curves-adj" width="590" /><p class="wp-caption-text">A curve adjustment increases the light areas and darkens the dark areas, which is just what we want. Now the Select Color Range will work much better. </p></div></p> <p>Here’s the process:</p> <p><img alt="layers" class="alignright size-medium wp-image-2578" height="300" src="http://www.digitalimagemagazine.com/blog/wp-content/uploads2010/2011/05/layers1-234x300.jpg" title="layers" width="234" /></p> <p>1. Take the original photo and rename the layer it’s on to Layer 0, or “original photo”. </p> <p>2. Duplicate this layer, and name it “working layer”</p> <p>3. Apply a Curves adjustment to make the window panes nearly white, and the cames (leading) solid black. </p> <p>4. Use Select Color Range to select the white panes. </p> <p>5. Use Quick Mask (tap the q key) to make sure only the panes are selected. Then exit Quick Mask (toggle with q). </p> <p>6. Invert the Selection: go Select > Invert. </p> <p>7. Make the Original photo layer active. Click once on the Add Layer Mask icon at the bottom of the layers palette. This will create a layer mask that has the window panes masked out.</p> <p>8. To fill in the gaps in the cames (circled in red, above), pick a hard-edged brush, and make it the same size as the cames (about 8 pixels, in this case). Choose solid black as the foreground color. Tap once with the brush, hold down the shift key, and then tap again on the other side of the “broken” came. Photoshop draws a perfectly straight hard-edged 8 pixel-wide line, replacing the missing black areas. Next, use the eraser tool to remove little bits of windowpane which are still hanging around. This goes pretty quickly. Once you’re done making the cames perfect and the panes completely empty, you’re ready to add a new background layer for our lady to look at. </p> <p>9. Lastly, delete the “working layer.” Add back in the image of Elandria from Part One. Paste a new image as your bottom layer, for a new view outside. Here’s what we have at this point. </p> <div class="wp-caption aligncenter" id="attachment_2580" style="width: 600px;"><img alt="Try different landscape images till you find one that suits your vision. " class="size-full wp-image-2580" height="586" src="http://www.digitalimagemagazine.com/blog/wp-content/uploads2010/2011/05/end-of-step-two.jpg" title="end-of-step-two" width="590" /><p class="wp-caption-text">Try different landscape images till you find one that suits your vision. </p></div> <hr /> <p>Next week, we’ll look at how modify this image to really make it glow, using layer adjustments and painting. Thanks for reading! </p> <div class="shr-publisher-2570"></div><div style="clear: both; height: 3px; width: 100%;"></div><div class="shareaholic-like-buttonset" style="float: none; height: 30px;"><a class="shareaholic-fblike"></a><a class="shareaholic-fbsend"></a></div><div style="clear: both; height: 3px; width: 100%;"></div><img alt="" src="http://www.digitalimagemagazine.com/blog/?ak_action=api_record_view&id=2570&type=feed" /> <p>Related posts:<ol><li><a href="http://www.digitalimagemagazine.com/blog/featured/tutorial-a-photomanip-journal-part-3/" rel="bookmark" title="Permanent Link: Tutorial: A Photomanip Journal, Part 3">Tutorial: A Photomanip Journal, Part 3</a> <small>In our last installment, the photo manipulation is finished. Learn...</small></li> <li><a href="http://www.digitalimagemagazine.com/blog/featured/tutorial-a-photomanip-journal-part-one/" rel="bookmark" title="Permanent Link: Tutorial: A Photomanip Journal, Part One">Tutorial: A Photomanip Journal, Part One</a> <small>The thinking process behind creating a photomanip is this week's...</small></li> <li><a href="http://www.digitalimagemagazine.com/blog/featured/tutorial-preparing-a-beach-photo-for-painting-in-corel-painter/" rel="bookmark" title="Permanent Link: Tutorial: Preparing a Beach Photo for Painting in Corel Painter">Tutorial: Preparing a Beach Photo for Painting in Corel Painter</a> <small>Learn how to use Photoshop to correct exposure problems in...</small></li> </ol></p>

UPDATED: 2 YEARS

Tutorial: A Photomanip Journal, Part One

<div class="wp-caption aligncenter" id="attachment_2551" style="width: 600px;"><a href="http://elandria.deviantart.com/"><img alt="One of the Nature's Lore series by Elandria. Click on photo to see more by Elandria. " class="size-full wp-image-2551" height="1091" src="http://www.digitalimagemagazine.com/blog/wp-content/uploads2010/2011/05/natures_lore_38_by_elandria-d3fy9is.jpg" title="natures_lore_38_by_elandria-d3fy9is" width="590" /></a><p class="wp-caption-text">One of the Nature's Lore series by Elandria. Click on photo to see more by Elandria. </p></div> <p>Today I came upon the photo above, by Deviant Art stock artist <a href="http://elandria.deviantart.com/">Elandria</a>, and decided I just had to create a photomanipulation with it. For this tutorial, I’m going to emphasize the thought process, more than the actual Photoshopping. I have no idea where I’m going with this photo. So let’s get started!</p> <p> <span id="more-2550"></span></p> <p>First, I’ll separate the image of the woman in the blue dress from the background. The background, in this case, is nearly one color, so I’ll start with the magic wand to select the majority of the background quickly. Make sure “contiguous” is checked on. I used a tolerance setting of 30, which works well, but one of her hand disappears, since it is flesh toned and so is the background (this is why a lime green background–a green screen– is used for this sort of work). Once the selection is made, hit the Q key for Quick Mask. You can make the Quick Mask any color you like; mine is green. </p> <p><div class="wp-caption alignleft" id="attachment_2553" style="width: 260px;"><img alt="In Quick Mask mode, you can see where the Magic Wand got a little too aggressive. Paint over the missing fingers with white to recover them. " class="size-full wp-image-2553" height="302" src="http://www.digitalimagemagazine.com/blog/wp-content/uploads2010/2011/05/missing-fingers.jpg" title="missing-fingers" width="250" /><p class="wp-caption-text">In Quick Mask mode, you can see where the Magic Wand got a little too aggressive. Paint over the missing fingers with white to recover them. </p></div> Zoom in and clean up the edge of the mask. Paint with white to recover areas; paint with black to mask out unwanted areas. </p> <p>Once the edge is all cleaned up, tap the Q key again. This returns you to select mode, and you’ll see the “marching ants” defining the selection edge. At this point, we’ve selected the background. Go Select > Inverse to select the figure. Now, let’s find a setting for our figure.</p> <p>For this, I turn to my ever-growing collection of stock photos. I keep these on my hard drive, and add to the collection whenever I see a stock photo (on Deviant Art, Morguefile, sxc.hu, etc.) that catches my eye. The images are organized into a large library of folders (Maps, Globes, Clocks, Rocks, Seascapes, Landscapes, etc.). Keeping organized really helps when it’s time to look for an image, as we’re doing right now. I have several promising folders for this image. Since she’s in Medieval garb, I’ll look in my Castles folder, and maybe the Cathedrals folder. She seems to be looking out a window, at least in my mind, so I look in the Windows folder, and find this image: </p> <p><div class="wp-caption aligncenter" id="attachment_2559" style="width: 600px;"><a href="http://xNickixstockx.deviantart.com"><img alt="This will become the main setting for the final photomanipulation. The pink area shows where I'll be adding a new floor. Stock used with permission by xNickixstockx on Deviant Art. " class="size-full wp-image-2559" height="885" src="http://www.digitalimagemagazine.com/blog/wp-content/uploads2010/2011/05/Castle_Window___Battle_Abbey_by_xNickixstockx-small.jpg" title="Castle_Window___Battle_Abbey_by_xNickixstockx-small" width="590" /></a><p class="wp-caption-text">This will become the main setting for the final photomanipulation. The pink area shows where I'll be adding a new floor. Stock used with permission by xNickixstockx on Deviant Art. </p></div> <p>I go back to the selected image of Elandria, and go Cmd+C (or Cntl+C on Windows) to copy. Then I paste it into the window image. I resize the figure a bit using Edit > Transform > Scale. After moving her around a bit, I decide that she needs a higher floor to stand on. I will grab a floor from another image on my hard drive. After adding the floor, I’ll crop the bottom of the window image. First, let’s find a new floor. </p> <div class="wp-caption alignleft" id="attachment_2560" style="width: 260px;"><a href="http://mirandarose-stock.deviantart.com"><img alt="This image, by stock artist MirandaRose-stock on Deviant Art, shows a nice floor under a lit window. It's a good match for our renovation project. " class="size-full wp-image-2560" height="287" src="http://www.digitalimagemagazine.com/blog/wp-content/uploads2010/2011/05/new-flooring.jpg" title="new-flooring" width="250" /></a><p class="wp-caption-text">This image, by stock artist MirandaRose-stock on Deviant Art, shows a nice floor under a lit window. It's a good match for our renovation project. </p></div> <p>This is a good example of how you need to adapt images to suit your purposes sometimes. This flooring looks good, but it’s not the right polygonal shape (see the pink shape, above). What I’ll do is copy it to another layer, and then flip it horizontally. Then I’ll move the copy until left and right halves make a shape similar to the pink polygon. </p> <p>Next I copy and paste this new flooring into the main image of the castle window (see below). After pasting, it appears in the middle of the image, as you see here. The arrows show where I’ll be moving it. It doesn’t match the original shape exactly. But I kind of like the way it comes forward to a point, so I’ll go with that. For fine tuning, I’ll use the Edit > Transform > Warp tool. </p> <div class="wp-caption alignleft" id="attachment_2562" style="width: 600px;"><img alt="The new floor matches pretty closely, though it comes forward to a point, unlike the pink shape I made earlier. " class="size-full wp-image-2562" height="454" src="http://www.digitalimagemagazine.com/blog/wp-content/uploads2010/2011/05/new-floor-right-left.jpg" title="new-floor-right-left" width="590" /><p class="wp-caption-text">The new floor matches pretty closely, though it comes forward to a point, unlike the pink shape I made earlier. </p></div> <p>Here’s the new floor, ready to lower into place. </p> <div class="wp-caption aligncenter" id="attachment_2564" style="width: 600px;"><img alt="I may need to use the Warp transform a bit, but this flooring should pop right into place. Good enough for government work, as they say. " class="size-full wp-image-2564" height="885" src="http://www.digitalimagemagazine.com/blog/wp-content/uploads2010/2011/05/new-floor-ready-to-install.jpg" title="new-floor-ready-to-install" width="590" /><p class="wp-caption-text">I may need to use the Warp transform a bit, but this flooring should pop right into place. Good enough for government work, as they say. </p></div> <p>Now I copy the image of Elandria into the setting (below). This concludes Step One. Next week, we’ll give Elandria something to look at out the window! </p> <div class="wp-caption aligncenter" id="attachment_2567" style="width: 600px;"><img alt="Step One, complete. Next we'll change the window view, and some other neat stuff. " class="size-full wp-image-2567" height="762" src="http://www.digitalimagemagazine.com/blog/wp-content/uploads2010/2011/05/step-one-complete.jpg" title="step-one-complete" width="590" /><p class="wp-caption-text">Step One, complete. Next we'll change the window view, and some other neat stuff. </p></div> <div class="shr-publisher-2550"></div><div style="clear: both; height: 3px; width: 100%;"></div><div class="shareaholic-like-buttonset" style="float: none; height: 30px;"><a class="shareaholic-fblike"></a><a class="shareaholic-fbsend"></a></div><div style="clear: both; height: 3px; width: 100%;"></div><img alt="" src="http://www.digitalimagemagazine.com/blog/?ak_action=api_record_view&id=2550&type=feed" /> <p>Related posts:<ol><li><a href="http://www.digitalimagemagazine.com/blog/featured/tutorial-a-photomanip-journal-part-3/" rel="bookmark" title="Permanent Link: Tutorial: A Photomanip Journal, Part 3">Tutorial: A Photomanip Journal, Part 3</a> <small>In our last installment, the photo manipulation is finished. Learn...</small></li> <li><a href="http://www.digitalimagemagazine.com/blog/featured/tutorial-a-photomanip-journal-part-2/" rel="bookmark" title="Permanent Link: Tutorial: A Photomanip Journal, Part 2">Tutorial: A Photomanip Journal, Part 2</a> <small>In Part Two, we learn how to create a complex...</small></li> <li><a href="http://www.digitalimagemagazine.com/blog/featured/create-fantasy-painting-with-photoshop-and-painter/" rel="bookmark" title="Permanent Link: Tutorial: Create a Fantasy Painting with Photoshop and Corel Painter">Tutorial: Create a Fantasy Painting with Photoshop and Corel Painter</a> <small>Learn how to assemble a fantasy image using stock images,...</small></li> </ol></p>

UPDATED: 2 YEARS

Tutorial: The Making of ‘Five Chicks Named Moe’

<div class="wp-caption aligncenter" id="attachment_2534" style="width: 600px;"><a href="http://www.bobnolin.com"><img alt="Five Chicks Named Moe, by Bob Nolin. Painted with Photoshop CS5 and a Wacom Intuos 4 tablet." class="size-full wp-image-2534" height="274" src="http://www.digitalimagemagazine.com/blog/wp-content/uploads2010/2011/05/Five-chicks_final.jpg" title="Five-chicks_final" width="590" /></a><p class="wp-caption-text">Five Chicks Named Moe, by Bob Nolin. Painted with Photoshop CS5 and a Wacom Intuos 4 tablet.</p></div> <p>The painting above, “Five Chicks Named Moe,” took about three weeks to complete, working on it a few hours a day on average. I would guess that’s about 45 hours of work. I followed a fairly complex working method, and I’d like to share it with you today. This isn’t really a tutorial, but more of a “making of.” I won’t talk much about the actual painting. Instead, I’ll lay out the steps I took. You may find this method has some advantages for your own work.</p> <p>In a nutshell, I take a stock photo (<a href="http://www.fotolia.com/id/6674607">this one</a>, from Fotolia, in this case), create a black and white “underpainting” (a grisaille), and then paint on top of that until the grisaille is completely covered over. This is different from my previous hand-painted Photoshop works, in that I’m using a grayscale layer that becomes part of the final image. Previously, I’d use a line drawing layer for reference, and then delete it at the end. With this new method, I’m attempting to follow the Old Masters’ way of working, with a monochrome underpainting.</p> <p><em>Grisaille</em> (pronounced “griz-eye”) is a French word meaning “gray tones.” The advantage of starting with a monochrome underpainting is it allows the painter to establish the forms and values first, and then develop the color on top of that. More info available <a href="http://grisaille.com/">here</a>.<span id="more-2525"></span></p> <h4>Step One – Topaz Adjust to add detail</h4> <div class="wp-caption aligncenter" id="attachment_2528" style="width: 600px;"><a href="http://www.topazlabs.com/303.html"><img alt="Original stock photo on left. Topaz Adjust (Mild Detail preset) on right. " class="size-full wp-image-2528" height="388" src="http://www.digitalimagemagazine.com/blog/wp-content/uploads2010/2011/05/Chick-2-orig-vs-TA.jpg" title="Chick-2-orig-vs-TA" width="590" /></a><p class="wp-caption-text">Original stock photo on left. Topaz Adjust (Mild Detail preset) on right. </p></div> <p>I use<a href="http://www.topazlabs.com/303.html"> Topaz Adjust</a> whenever I need to add some punch to a photo. After trying out several of the presets that come with Adjust, I went with the Mild Detail setting. The original photo is very high key, with very little variation in tone. It’s all bright. So the first step is to bring out detail that has been washed out by the bright, even lighting. My goal is to achieve a dark, chiaroscuro look, as though the chicks were painted by a Dutch master of the 16th century. As you can see above, Adjust brings out each individual feather, but the Mild setting doesn’t overdo it. </p> <p>Before we go any further, let me show you where we’re going. Here’s what the layer palette is going to look like once we get through the next several steps. The layer with the chicks is in the middle of the stack. The background is below the birds, and the adjustment layers are above them.</p> <div class="wp-caption aligncenter" id="attachment_2536" style="width: 600px;"><img alt="Here's our goal: layers that create the look we're after. " class="size-full wp-image-2536" height="856" src="http://www.digitalimagemagazine.com/blog/wp-content/uploads2010/2011/05/layers.jpg" title="layers" width="590" /><p class="wp-caption-text">Here's our goal: layers that create the look we're after. </p></div> <h4>Step Two – Create the dark background</h4> <div class="wp-caption aligncenter" id="attachment_2527" style="width: 600px;"><img alt="A simple dark-to-very-dark gradient makes up the background. It will be painted over to add texture and variety." class="size-full wp-image-2527" height="273" src="http://www.digitalimagemagazine.com/blog/wp-content/uploads2010/2011/05/backgrd-grad.jpg" title="backgrd-grad" width="590" /><p class="wp-caption-text">A simple dark-to-very-dark gradient makes up the background. It will be painted over to add texture and variety.</p></div> <p>The bottom-most layer in the stack is the Dark Gradient background. This is just a start, and we’ll paint over it later to make it look hand-painted, and not machine made. </p> <h4>Step Three – Give the chicks a table to stand on</h4> <div class="wp-caption aligncenter" id="attachment_2538" style="width: 600px;"><img alt="There are two wood layers, with the upper one set to Overlay mode. The upper one is blurry, and this helps to eliminate the photographic detail of the wood photo. " class="size-full wp-image-2538" height="272" src="http://www.digitalimagemagazine.com/blog/wp-content/uploads2010/2011/05/wood-layers.jpg" title="wood-layers" width="590" /><p class="wp-caption-text">There are two wood layers, with the upper one set to Overlay mode. The upper one is blurry, and this helps to eliminate the photographic detail of the wood photo. </p></div> <p>The wood tabletop is actually a photograph of an old drawing board. I used the Perspective adjustment tool to make the board look like it’s lying down (it was shot head on). Next I copy one layer, and blur it, set the blending mode to Overlay, and turn down the Opacity until the detail is softened but not eliminated altogether. Then I add a layer mask with a soft edge between black and white. This makes the far end of the table get darker. The layer mask allows the dark gradient to show through. </p> <h4>Step Four – Add shadows under the chicks </h4> <div class="wp-caption aligncenter" id="attachment_2537" style="width: 600px;"><img alt="Soft, blurry shadows are cast by the chicks' bodies, while small, hard-edged shadows are cast by their feet. " class="size-full wp-image-2537" height="274" src="http://www.digitalimagemagazine.com/blog/wp-content/uploads2010/2011/05/shadows-added.jpg" title="shadows-added" width="590" /><p class="wp-caption-text">Soft, blurry shadows are cast by the chicks' bodies, while small, hard-edged shadows are cast by their feet. </p></div> <p>Add two new, blank layers. The lower of these layers will contain the blurry shadows cast by the bodies of the chicks. The upper layer will show the shadows cast by their feet. Use a large, soft airbrush at low opacity for the lower layer. For the feet, use a much smaller brush, at higher opacity. Paint right on the edges of their feet. Aren’t layers great? </p> <h4>Step Five – Add the adjustment layers </h4> <div class="wp-caption aligncenter" id="attachment_2526" style="width: 600px;"><img alt="The new Exposure Adjustment Layer, along with a layer mask, gives the chicks volume and directional lighting. " class="size-full wp-image-2526" height="272" src="http://www.digitalimagemagazine.com/blog/wp-content/uploads2010/2011/05/adj-layers-added.jpg" title="adj-layers-added" width="590" /><p class="wp-caption-text">The new Exposure Adjustment Layer, along with a layer mask, gives the chicks volume and directional lighting. </p></div> <p>Now that the stage is set and the actors are in place, we’re ready to adjust the lighting. This is done with adjustment layers. As you can see in the Layers screenshot shown earlier, there are the usual Curves, Levels, and Hue/Sat adjustment layers. These make subtle adjustments. The star performer here, though, is the new Exposure adjustment level combined with a layer mask. Set the exposure setting so that the chicks are under-exposed (i.e., darkened). You will make them look like they are completely in shadow. Then you’ll reveal the light by painting on the layer mask. It’s like magic! </p> <h4>Step Six – Collapse all the layers and create the grisaille</h4> <div class="wp-caption aligncenter" id="attachment_2535" style="width: 600px;"><img alt="The Black&White adjustment is used to create a grayscale image, or grisaille. " class="size-full wp-image-2535" height="271" src="http://www.digitalimagemagazine.com/blog/wp-content/uploads2010/2011/05/grissaile.jpg" title="grissaile" width="590" /><p class="wp-caption-text">The Black&White adjustment is used to create a grayscale image, or grisaille. </p></div> <p>Save your work to this point; flatten the image, and save with a different name. Now we have our painting base. You could just use this as your starting point. If you like to work with the cloning tools in Painter, you could clone this file and begin to paint. But my goal is to try to emulate the Old Masters, so I go Image > Adjustments > Black & White, use the Auto setting, which creates my grayscale underpainting. </p> <h4>Step Seven – Add “glazes” of color </h4> <p><div class="wp-caption aligncenter" id="attachment_2532" style="width: 600px;"><img alt="Two layers here: the Color layer on top of the Grisaille layer" class="size-full wp-image-2532" height="275" src="http://www.digitalimagemagazine.com/blog/wp-content/uploads2010/2011/05/color-layer-added.jpg" title="color-layer-added" width="590" /><p class="wp-caption-text">Two layers here: the Color layer on top of the Grisaille layer</p></div> <p>In traditional painting, thin glazes of color are applied on top of the underpainting. We can do something similar in Photoshop and/or Painter. Insert a new layer above the Grisaille layer, and change the blending mode from Default to Color. (In Painter, choose Colorize.) Now when you paint, you can’t cover over the greyscale; you can only “tint” it with color. This is similar to the hand-tinting of photographs which photographers used to do before the advent of color film. (See <a href="http://www.digitalimagemagazine.com/blog/featured/tutorial-colorizing-vintage-photos-with-corel-painter/">this article</a> and <a href="http://www.digitalimagemagazine.com/blog/featured/tutorial-turn-a-civil-war-era-photo-into-a-painting//">this article</a> for two tutorials.) The Color blending mode allows you to paint as though you were laying in transparent washes of watercolor or acrylic, or oil glazes. The values of the grayscale interact with and alter the colors, as you will see. This hand-colored base is now ready for us to paint with opaque colors, in the next step.</p> <div class="wp-caption aligncenter" id="attachment_2529" style="width: 600px;"><img alt="This close-up shows what the Color layer on top of the Grisaille layer looks like. " class="size-full wp-image-2529" height="739" src="http://www.digitalimagemagazine.com/blog/wp-content/uploads2010/2011/05/chick2-color-on-gris.jpg" title="chick2-color-on-gris" width="590" /><p class="wp-caption-text">This close-up shows what the Color layer on top of the Grisaille layer looks like. </p></div> <h4>Step Eight – Opaque painting</h4> <div class="wp-caption aligncenter" id="attachment_2530" style="width: 600px;"><a href="http://www.bobnolin.com"><img alt="Many hours and brushstrokes later, here's the final painted chick. " class="size-full wp-image-2530" height="740" src="http://www.digitalimagemagazine.com/blog/wp-content/uploads2010/2011/05/chick2-final.jpg" title="chick2-final" width="590" /></a><p class="wp-caption-text">Many hours and brushstrokes later, here's the final painted chick. </p></div> <p>To begin the next phase, insert a new blank layer as the top layer. Leave the blending mode and opacity as is (Default and 100%). Now here’s where the work really begins! All that has come before is really just preparation for the actual painting. No, I’m not kidding! The first seven steps should take an afternoon, give or take. It’s not very time-consuming; it’s just a lot to explain, a lot of details. </p> <p>While painting, refer to the first file you created (the flattened, full-color one). I use the eye-dropper to sample colors from this base file, and then adjust them as needed. To cover the grisaille lines and tones completely, the paint will need to be quite opaque. However, I use many glazes of low-opacity color, which build up and eventually cover the greyscale image. </p> <p>So that’s basically it. I hope you find this method helpful. At the very least, I’ve laid out one method of painting in the classical mode of the Old Masters. It’s been a fun experiment! I invite your comments and questions below, in the comments box. Thanks for reading!</p> <div class="shr-publisher-2525"></div><div style="clear: both; height: 3px; width: 100%;"></div><div class="shareaholic-like-buttonset" style="float: none; height: 30px;"><a class="shareaholic-fblike"></a><a class="shareaholic-fbsend"></a></div><div style="clear: both; height: 3px; width: 100%;"></div><img alt="" src="http://www.digitalimagemagazine.com/blog/?ak_action=api_record_view&id=2525&type=feed" /> <p>Related posts:<ol><li><a href="http://www.digitalimagemagazine.com/blog/featured/tutorial-the-making-of-viking-chieftain-part-2/" rel="bookmark" title="Permanent Link: Tutorial: The Making of Viking Chieftain, Part 2">Tutorial: The Making of Viking Chieftain, Part 2</a> <small>In Part 2, we complete the corrections to the exposure,...</small></li> <li><a href="http://www.digitalimagemagazine.com/blog/featured/tutorial-the-making-of-viking-chieftain/" rel="bookmark" title="Permanent Link: Tutorial: The Making of Viking Chieftain">Tutorial: The Making of Viking Chieftain</a> <small>Put away that Dodge and Burn tool! Learn some non-destructive...</small></li> <li><a href="http://www.digitalimagemagazine.com/blog/featured/tutorial-the-making-of-viking-chieftain-part-3/" rel="bookmark" title="Permanent Link: Tutorial: The Making of Viking Chieftain, Part 3">Tutorial: The Making of Viking Chieftain, Part 3</a> <small>In the third and last installment, we look at how...</small></li> </ol></p>

UPDATED: 2 YEARS

Marketing: Fine Art America Review, Part 2

<div class="wp-caption aligncenter" id="attachment_2514" style="width: 600px;"><a href="http://www.bobnolin.com"><img alt="The custom header I created for my Fine Art America website. " class="size-full wp-image-2514" height="91" src="http://www.digitalimagemagazine.com/blog/wp-content/uploads2010/2011/04/artofbn.jpg" title="artofbn" width="590" /></a><p class="wp-caption-text">The custom header I created for my Fine Art America website. </p></div> <p>Back around the end of February, <a href="http://www.digitalimagemagazine.com/blog/featured/marketing-artist-websites-on-fine-art-america/">I wrote about</a> my experiences getting started with Fine Art America. Two months have gone by, so it’s time for the update I promised in Part One. Certain negative aspects have been corrected, so that’s good news. There remain some things I’d like to see changed, but overall I would highly recommend FAA to artists looking for an online presence, especially if they need a print-on-demand (POD) provider.</p> <p>For $30 a year, FAA gives you unlimited gallery space on their main site, as well as a distinct website that has no FAA branding. Customers can order framed prints through either venue. However, when customers order through your personal website, the customer sees only that you have a professional ecommerce site, allowing them to order prints, framed and unframed, prints on canvas, and greeting cards.</p> <p> From a marketing standpoint, this is more impressive than a customized Zazzle or Redbubble gallery, since it appears to be a stand-alone business site. Even better is the ease with which you can create your professional-looking site using FAA’s tools. Customization on other POD sites is difficult, to say the least, and often requires a solid understanding of Cascading Style Sheets (CSS). FAA, on the other hand, is very easy to use. I created the customized header (above) in Photoshop, which really helps the site look unique. </p> <p>Sean Broihier, the owner of FAA, seems to be very focused on the needs of his artist customers, as well as the buying public who visit FAA. Knowing that customers will want to take a close look at artwork before buying, Broihier created a high-resolution zoom tool. This helps increase buyer confidence. The only other place I’ve seen this sort of thing is on a stock photo site. Other POD sites don’t seem to realize the importance of such a tool. </p> <p>Broihier provides artists with a neat slideshow widget, which you can see over on the right here on my blog. When I add artwork to my gallery, the slideshow automatically picks it up. The slideshow’s movement attract the visitor’s attention, and shows off my work at the same time. I think it’s really useful. </p> <p>FAA also automatically provides buyers with color swatches based on the main colors in a piece of artwork. Again, I can’t think of a similar site that does that. Along with visitor counts, there are visitor comments. These help build buyer confidence. </p> <p><span id="more-2513"></span></p> <p>When you upload artwork, it appears automatically in the huge gallery on FAA, as well as on your own website. No need to do dual maintenance of two sites.</p> <p>The buying experience is very professional. I ordered an unframed and a framed print from FAA, in order to check out the printing and framing quality, as well as delivery time and packaging. My order arrived in about ten days, and was packed very securely in a big box. The framed print looked just great. The colors seemed to be an exact match, and the framing quality was excellent. I used to work in a frame shop, and I’ve framed dozens of my own pieces, so I know what to look for. I couldn’t have done a better job myself. The back was covered nicely with kraft paper, and wired ready to hang. </p> <p>I should step back and mention that the online process for ordering a frame is intelligently designed. You pick a frame color and you’re presented with all frames that match that color. You can then order a mat, and the viewer shows what your work will look like in that frame with that mat. The color of the displayed mat didn’t seem to match the color I picked, always, so that may be a little bug. </p> <p>As an artist, you determine the minimum and maximum print sizes available for ordering. The site lets you know what the biggest size printable is for your given file, so that’s helpful. Other sites don’t address this sort of thing well, if at all.</p> <p>Buyers can choose from a range of papers. If you know that your work will not look good on the default matte archival paper, you can’t stop buyers from ordering it, unfortunately. You can, however, add a note in the piece description, recommending the proper paper. The unframed print I ordered was printed on the matte paper, which is the cheapest available. The dark blacks didn’t look as dark as they should have, due to the paper. The Somerset paper I used in the framed print showed accurate and rich colors, though it was a bit more expensive. </p> <p>Normally, an unframed print comes rolled in a tube. Since I was also ordering a framed print, FAA used a large flat box, and packed the unframed print flat in the box, which was a pleasant surprise. I was quite pleased with my purchasing experience on FAA, and feel confident that my customers will be getting a quality product when they order. FAA also has an unconditional guarantee. </p> <p>Back in <a href="http://www.digitalimagemagazine.com/blog/featured/marketing-artist-websites-on-fine-art-america/">Part One</a> of this review, I mentioned that you can’t pick your own domain name for your FAA website. What I failed to explain is how easy it is to work around that. If you own your own domain name (such as <a href="http://www.bobnolin.com">www.bobnolin.com</a>, you can tell your domain registrar (the company that you pay each year to maintain your URL) to “point” to your FAA site. If you roll your mouse over the slideshow on the right, you’ll notice, down at the bottom of your browser, that it says “www.bobnolin.com.” When you click on it, it takes you to the FAA site, which is really www.bob-nolin.artistwebsites.com. Here’s how you make that happen: </p> <p><img alt="1&1-control-panel" class="aligncenter size-full wp-image-2519" height="504" src="http://www.digitalimagemagazine.com/blog/wp-content/uploads2010/2011/04/11-control-panel.jpg" title="1&1-control-panel" width="499" /><br /> <br clear="all" /></p> <p>You select “Forward Your Domain” and then tell it where to forward to. Each registrar has a way to do this, I believe. It is free, too. Also, I tell it what title I want to appear up top in the visitor’s browser (”The Art of Bob Nolin”). Choosing “Frame Redirect” causes the URL to say “www.bobnolin.com”, which keeps the visitor from getting confused by seeing www.bob-nolin.artistwebsites.com. I’ve had some questions about how I did this, so forgive me if I got too techie there!</p> <p>As I mentioned in Part One, the FAA website was not working very well when I was trying to sign up. Sean Broihier assures me this was due to heavy maintenance to the search engine, and that the server should be up all the time now. In two months, I’ve never again experienced a problem. So that’s a relief. Also, FAA employs several full-time customer service people, which was another issue in Part One. </p> <p>I need to wrap up here, but I do want to mention the community on FAA. My works are frequently commented on by other FAA’ers, and they’re all very nice and supportive. There are groups and an online forum, you can create a blog, an email newsletter, and so forth. These things all add to the feeling of a community, and they’re free. The $30 fee is only if you want to use the POD service and/or have your own website. From what I’ve seen so far, this was $30 well-spent. If you have questions I didn’t answer here, please leave a comment below. Also, I’d love to hear about your own experience with FAA.</p> <p>Thanks for reading! </p> <div class="shr-publisher-2513"></div><div style="clear: both; height: 3px; width: 100%;"></div><div class="shareaholic-like-buttonset" style="float: none; height: 30px;"><a class="shareaholic-fblike"></a><a class="shareaholic-fbsend"></a></div><div style="clear: both; height: 3px; width: 100%;"></div><img alt="" src="http://www.digitalimagemagazine.com/blog/?ak_action=api_record_view&id=2513&type=feed" /> <p>Related posts:<ol><li><a href="http://www.digitalimagemagazine.com/blog/featured/marketing-a-review-of-fine-art-america/" rel="bookmark" title="Permanent Link: Marketing: A Review of Fine Art America">Marketing: A Review of Fine Art America</a> <small>Fine Art America is an online art marketplace offering an...</small></li> <li><a href="http://www.digitalimagemagazine.com/blog/featured/marketing-artist-websites-on-fine-art-america/" rel="bookmark" title="Permanent Link: Marketing: Artist Websites on Fine Art America">Marketing: Artist Websites on Fine Art America</a> <small>A look at Fine Art America's artist website option. Come...</small></li> <li><a href="http://www.digitalimagemagazine.com/blog/featured/marketing-7-places-to-sell-your-work-online/" rel="bookmark" title="Permanent Link: Marketing: 7 Places to Sell Your Work Online">Marketing: 7 Places to Sell Your Work Online</a> <small>Learn how to get your digital works printed and into...</small></li> </ol></p>

UPDATED: 2 YEARS

Tutorial: Digital Painting with Photoshop

<div class="wp-caption aligncenter" id="attachment_2504" style="width: 600px;"><a href="http://www.cgarena.com/freestuff/ezine/"><img alt="Learn how to use Photoshop to paint photorealistic wildlife, with this new tutorial on CG Arena. " class="size-full wp-image-2504" height="378" src="http://www.digitalimagemagazine.com/blog/wp-content/uploads2010/2011/04/article-shot.jpg" title="article-shot" width="590" /></a><p class="wp-caption-text">Learn how to use Photoshop to paint photorealistic wildlife, with this new tutorial on CG Arena. </p></div> <p>The computer graphics website CG Arena (<a href="http://www.cgarena.com">www.cgarena.com</a>) publishes a free online magazine every other month. The new issue, just out today, includes <a href="http://www.cgarena.com/freestuff/ezine/">a 7-page tutorial</a> I wrote about painting a highly-realistic bald eagle portrait using Photoshop. This tutorial is about twice the length of the ones I publish here on Digital Image Magazine, so there’s lots of detail and screen captures to explain the process. The tutorial is called “The Making of Sentinel.” You can download the free magazine and read the tutorial, along with lots of other great content, <a href="http://www.cgarena.com/freestuff/ezine/">here</a>. Here’s a close-up look at the finished painting. </p> <div class="wp-caption aligncenter" id="attachment_2508" style="width: 600px;"><a href="http://www.bobnolin.com"><img alt="Sentinel (detail), by Bob Nolin. Digital painting created in Photoshop. Based on photograph by Joshua Sexton. Used with permission. " class="size-full wp-image-2508" height="421" src="http://www.digitalimagemagazine.com/blog/wp-content/uploads2010/2011/04/Sentinel-dim-cu.jpg" title="Sentinel-dim-cu" width="590" /></a><p class="wp-caption-text">Sentinel (detail), by Bob Nolin. Digital painting created in Photoshop. Based on photograph by Joshua Sexton. Used with permission. </p></div> <div class="shr-publisher-2503"></div><div style="clear: both; height: 3px; width: 100%;"></div><div class="shareaholic-like-buttonset" style="float: none; height: 30px;"><a class="shareaholic-fblike"></a><a class="shareaholic-fbsend"></a></div><div style="clear: both; height: 3px; width: 100%;"></div><img alt="" src="http://www.digitalimagemagazine.com/blog/?ak_action=api_record_view&id=2503&type=feed" /> <p>Related posts:<ol><li><a href="http://www.digitalimagemagazine.com/blog/featured/beginning-digital-painting-with-photoshop/" rel="bookmark" title="Permanent Link: Beginning Digital Painting with Photoshop">Beginning Digital Painting with Photoshop</a> <small>Want to learn how to paint with Photoshop? Here's a...</small></li> <li><a href="http://www.digitalimagemagazine.com/blog/featured/resources-online-training-for-digital-painting/" rel="bookmark" title="Permanent Link: Resources: Online Training for Digital Painting">Resources: Online Training for Digital Painting</a> <small>Learn digital art in the comfort of your own home!...</small></li> <li><a href="http://www.digitalimagemagazine.com/blog/featured/book-review-digital-painting-in-photoshop/" rel="bookmark" title="Permanent Link: Book Review: Digital Painting in Photoshop">Book Review: Digital Painting in Photoshop</a> <small>A review of Susan Ruddick Bloom's new book, Digital Painting...</small></li> </ol></p>

UPDATED: 2 YEARS, 1 MONTH

Inspiration: 20 Amazing Photomanipulations

<div class="wp-caption aligncenter" id="attachment_2474" style="width: 600px;"><a href="http://rekano.deviantart.com"><img alt="Dream of a Photomanipulator, by Rekano" class="size-full wp-image-2474" height="443" src="http://www.digitalimagemagazine.com/blog/wp-content/uploads2010/2011/04/Dream_of_a_Photomanipulator_by_Rekano.jpg" title="Dream_of_a_Photomanipulator_by_Rekano" width="590" /></a><p class="wp-caption-text">Dream of a Photomanipulator, by Rekano</p></div> <p>To celebrate the 175th article on Digital Image Magazine, I’ve decided to celebrate by doing one of my favorite things: a showcase of great work. Besides, I love being able to share the work of fabulous, incredibly imaginative artists with you. </p> <p>All of these images come from deviantArt.com. These are some of the best examples of photomanipulation I’ve come across. Most of the time, the image will be a collage of several photographs. Often, the photocollage is then hand-painted in Photoshop or Painter. Additional elements can be painted in, partially covering over the original photographs. In the deviantArt community, “photomanipulation” is any image that includes photography (as opposed to digital painting, which is done from scratch). Here then is my collection of the best of the best. Enjoy! (Click on the artist’s name or the image to go to their gallery.)</p> <p><span id="more-2463"></span></p> <h4><a href="http://michaelo.deviantart.com">Michael O</a> </h4> <div class="wp-caption aligncenter" id="attachment_2468" style="width: 600px;"><a href="http://michaelo.deviantart.com"><img alt="Apple, by Michael O. This is a great example of how photomanipulation can start with a photo (inset), and turn it into a completely new and amazing work of art. " class="size-full wp-image-2468" height="885" src="http://www.digitalimagemagazine.com/blog/wp-content/uploads2010/2011/04/apple_by_michaelo.jpg" title="apple_by_michaelo" width="590" /></a><p class="wp-caption-text">Apple, by Michael O. This is a great example of how photomanipulation can start with a photo (inset), and turn it into a completely new and amazing work of art. </p></div> <div class="wp-caption aligncenter" id="attachment_2470" style="width: 539px;"><a href="http://michaelo.deviantart.com"><img alt="Another amazing work by Michael O. Click on the image to see more. " class="size-full wp-image-2470" height="1000" src="http://www.digitalimagemagazine.com/blog/wp-content/uploads2010/2011/04/crocodile-tears-michaelo.jpg" title="crocodile-tears-michaelo" width="529" /></a><p class="wp-caption-text">Another amazing work by Michael O. Click on the image to see more. </p></div> <div class="wp-caption aligncenter" id="attachment_2486" style="width: 600px;"><a href="http://michaelo.deviantart.com"><img alt="Trophy Wife, by Michael O" class="size-full wp-image-2486" height="860" src="http://www.digitalimagemagazine.com/blog/wp-content/uploads2010/2011/04/trophy-wife-by-michaelo.jpg" title="trophy-wife-by-michaelo" width="590" /></a><p class="wp-caption-text">Trophy Wife, by Michael O</p></div> <h4><a href="http://cristalart.deviantart.com">Cristalart</a></h4> <div class="wp-caption aligncenter" id="attachment_2469" style="width: 600px;"><a href="http://cristalart.deviantart.com"><img alt="The Bird's Queen, by Cristalart" class="size-full wp-image-2469" height="940" src="http://www.digitalimagemagazine.com/blog/wp-content/uploads2010/2011/04/bird__s_queen_by_cristalart.jpg" title="bird__s_queen_by_cristalart" width="590" /></a><p class="wp-caption-text">The Bird's Queen, by Cristalart</p></div> <h4><a href="http://autumnsgoddess.deviantart.com">Autumns Goddess</a></h4> <div class="wp-caption aligncenter" id="attachment_2478" style="width: 600px;"><a href="http://autumnsgoddess.deviantart.com"><img alt="Intention, by AutumnsGoddess" class="size-full wp-image-2478" height="843" src="http://www.digitalimagemagazine.com/blog/wp-content/uploads2010/2011/04/intention_by_AutumnsGoddess.jpg" title="intention_by_AutumnsGoddess" width="590" /></a><p class="wp-caption-text">Intention, by AutumnsGoddess</p></div> <h4><a href="http://higherdepths.deviantart.com">Higherdepths</a></h4> <div class="wp-caption aligncenter" id="attachment_2484" style="width: 600px;"><a href="http://higherdepths.deviantart.com"><img alt="Submariner, by Higherdepths" class="size-full wp-image-2484" height="382" src="http://www.digitalimagemagazine.com/blog/wp-content/uploads2010/2011/04/Submariner_by_higherdepths.jpg" title="Submariner_by_higherdepths" width="590" /></a><p class="wp-caption-text">Submariner, by Higherdepths</p></div> <h4><a href="http://schnette.deviantart.com">Schnette</a></h4> <div class="wp-caption aligncenter" id="attachment_2477" style="width: 600px;"><a href="http://schnette.deviantart.com"><img alt="Follow Your Heart, by Schnette" class="size-full wp-image-2477" height="590" src="http://www.digitalimagemagazine.com/blog/wp-content/uploads2010/2011/04/follow-your-heart-by-schnette.jpg" title="follow-your-heart-by-schnette" width="590" /></a><p class="wp-caption-text">Follow Your Heart, by Schnette</p></div> <h4><a href="http://onetaintedangel.deviantart.com">OneTaintedAngel</a></h4> <div class="wp-caption aligncenter" id="attachment_2475" style="width: 600px;"><a href="http://onetaintedangel.deviantart.com"><img alt="Dream of Silk and Silence Part 2, by OneTaintedAngel" class="size-full wp-image-2475" height="590" src="http://www.digitalimagemagazine.com/blog/wp-content/uploads2010/2011/04/dream-of-silk-and-silence-pt2-by-onetaintedangel.jpg" title="dream-of-silk-and-silence-pt2-by-onetaintedangel" width="590" /></a><p class="wp-caption-text">Dream of Silk and Silence Part 2, by OneTaintedAngel</p></div> <h4><a href="http://indigodeep.deviantart.com">Indigodeep</a></h4> <div class="wp-caption aligncenter" id="attachment_2485" style="width: 576px;"><a href="http://indigodeep.deviantart.com"><img alt="The Summoner, by Indigodeep" class="size-full wp-image-2485" height="832" src="http://www.digitalimagemagazine.com/blog/wp-content/uploads2010/2011/04/The_Summoner_by_indigodeep.jpg" title="The_Summoner_by_indigodeep" width="566" /></a><p class="wp-caption-text">The Summoner, by Indigodeep</p></div> <h4><a href="http://gloom82.deviantart.com">Gloom82</a></h4> <div class="wp-caption aligncenter" id="attachment_2499" style="width: 600px;"><a href="http://gloom82.deviantart.com"><img alt="Society, by Gloom82" class="size-full wp-image-2499" height="885" src="http://www.digitalimagemagazine.com/blog/wp-content/uploads2010/2011/04/society_by_gloom82.jpg" title="society_by_gloom82" width="590" /></a><p class="wp-caption-text">Society, by Gloom82</p></div> <h4><a href="http://billy-pilgrim.deviantart.com">Billy Pilgrim</a></h4> <div class="wp-caption aligncenter" id="attachment_2482" style="width: 600px;"><a href="http://billy-pilgrim.deviantart.com"><img alt="Portrait of a Sad Song, by Billy Pilgrim" class="size-full wp-image-2482" height="590" src="http://www.digitalimagemagazine.com/blog/wp-content/uploads2010/2011/04/portrait_of_a_sad_song_by_billy_pilgrim.jpg" title="portrait_of_a_sad_song_by_billy_pilgrim" width="590" /></a><p class="wp-caption-text">Portrait of a Sad Song, by Billy Pilgrim</p></div> <h4><a href="http://zwir.deviantart.com">ZWIR</a></h4> <div class="wp-caption aligncenter" id="attachment_2481" style="width: 600px;"><a href="http://zwir.deviantart.com"><img alt="Once in Venice, by ZWIR" class="size-full wp-image-2481" height="750" src="http://www.digitalimagemagazine.com/blog/wp-content/uploads2010/2011/04/Once_in_Venice_by_ZWIR.jpg" title="Once_in_Venice_by_ZWIR" width="590" /></a><p class="wp-caption-text">Once in Venice, by ZWIR</p></div> <h4><a href="http://heakmeat.deviantart.com">Heakmeat</a></h4> <div class="wp-caption aligncenter" id="attachment_2480" style="width: 600px;"><a href="http://heakmeat.deviantart.com"><img alt="Nature, by Heakmeat" class="size-full wp-image-2480" height="867" src="http://www.digitalimagemagazine.com/blog/wp-content/uploads2010/2011/04/Nature_by_heakmeat.jpg" title="Nature_by_heakmeat" width="590" /></a><p class="wp-caption-text">Nature, by Heakmeat</p></div> <h4><a href="http://mrnoxx.deviantart.com">MrNoxx</a></h4> <div class="wp-caption aligncenter" id="attachment_2476" style="width: 600px;"><a href="http://mrnoxx.deviantart.com"><img alt="Endangered Species, by MrNoxx" class="size-full wp-image-2476" height="590" src="http://www.digitalimagemagazine.com/blog/wp-content/uploads2010/2011/04/endangered_species_by_mrnoxx.jpg" title="endangered_species_by_mrnoxx" width="590" /></a><p class="wp-caption-text">Endangered Species, by MrNoxx</p></div> <h4><a href="http://taenaron.deviantart.com">Taenaron</a></h4> <div class="wp-caption aligncenter" id="attachment_2473" style="width: 600px;"><a href="http://taenaron.deviantart.com"><img alt="Dream, by Taenaron" class="size-full wp-image-2473" height="369" src="http://www.digitalimagemagazine.com/blog/wp-content/uploads2010/2011/04/dream_by_taenaron.jpg" title="dream_by_taenaron" width="590" /></a><p class="wp-caption-text">Dream, by Taenaron</p></div> <h4><a href="http://ghwamba.deviantart.com">Ghwamba</a></h4> <div class="wp-caption aligncenter" id="attachment_2472" style="width: 600px;"><a href="http://ghwamba.deviantart.com"><img alt="Do You Believe in Magic, by Ghwamba" class="size-full wp-image-2472" height="395" src="http://www.digitalimagemagazine.com/blog/wp-content/uploads2010/2011/04/do_you_believe_in_magic__by_ghwamba.jpg" title="do_you_believe_in_magic__by_ghwamba" width="590" /></a><p class="wp-caption-text">Do You Believe in Magic, by Ghwamba</p></div> <h4><a href="http://betweentheclouds.deviantart.com">BetweenTheClouds</a></h4> <div class="wp-caption aligncenter" id="attachment_2471" style="width: 600px;"><a href="http://betweentheclouds.deviantart.com"><img alt="Depression, by Betweentheclouds" class="size-full wp-image-2471" height="826" src="http://www.digitalimagemagazine.com/blog/wp-content/uploads2010/2011/04/depression_by_betweentheclouds.jpg" title="depression_by_betweentheclouds" width="590" /></a><p class="wp-caption-text">Depression, by Betweentheclouds</p></div> <h4><a href="http://tammara.deviantart.com">Tammara</a></h4> <div class="wp-caption aligncenter" id="attachment_2467" style="width: 600px;"><a href="http://tammara.deviantart.com"><img alt="After the Ball, by Tammara" class="size-full wp-image-2467" height="566" src="http://www.digitalimagemagazine.com/blog/wp-content/uploads2010/2011/04/after_the_ball_by_tammara.jpg" title="after_the_ball_by_tammara" width="590" /></a><p class="wp-caption-text">After the Ball, by Tammara</p></div> <h4><a href="http://bnolin.deviantart.com">Bob Nolin (me!</a>)</h4> <div class="wp-caption aligncenter" id="attachment_2479" style="width: 600px;"><a href="http://bnolin.deviantart.com"><img alt="Myrddin, by Bob Nolin. Hope you don't blame me for including one of my own!" class="size-full wp-image-2479" height="600" src="http://www.digitalimagemagazine.com/blog/wp-content/uploads2010/2011/04/myrddin.jpg" title="myrddin" width="590" /></a><p class="wp-caption-text">Myrddin, by Bob Nolin. Hope you don't blame me for including one of my own!</p></div> <div class="shr-publisher-2463"></div><div style="clear: both; height: 3px; width: 100%;"></div><div class="shareaholic-like-buttonset" style="float: none; height: 30px;"><a class="shareaholic-fblike"></a><a class="shareaholic-fbsend"></a></div><div style="clear: both; height: 3px; width: 100%;"></div><img alt="" src="http://www.digitalimagemagazine.com/blog/?ak_action=api_record_view&id=2463&type=feed" /> <p>Related posts:<ol><li><a href="http://www.digitalimagemagazine.com/blog/featured/inspiration-photomanipulation-masters-part-1/" rel="bookmark" title="Permanent Link: Inspiration: Photomanipulation Masters Part 1">Inspiration: Photomanipulation Masters Part 1</a> <small>A look at the visionary work of Phatpuppy, our first...</small></li> <li><a href="http://www.digitalimagemagazine.com/blog/featured/inspiration-photomanipulation-masters-part-2/" rel="bookmark" title="Permanent Link: Inspiration: Photomanipulation Masters Part 2">Inspiration: Photomanipulation Masters Part 2</a> <small>In part 2, we'll look at the work and the...</small></li> <li><a href="http://www.digitalimagemagazine.com/blog/featured/inspiration-photomanipulation-masters-part-3/" rel="bookmark" title="Permanent Link: Inspiration: Photomanipulation Masters Part 3">Inspiration: Photomanipulation Masters Part 3</a> <small>Our photomanip master today is Pat Brennan, a.k.a. Moonmomma on...</small></li> </ol></p>

UPDATED: 2 YEARS, 1 MONTH

ADVERTISING/DESIGN GOODNESS

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UPDATED: 5 MONTHS, 3 WEEKS

Philips Azur Iron

<p> <br /> </p> <p>The unique performance of Philips irons and steamers is demonstrated by the Art of Ironing. The classical Dutch paintings are re-created on a plain piece of white tissue with Philips ironing aids.</p> <p>Agency: DDB, Moscow, Russia<br /> Creative Director: Anna Denisova<br /> Art Director: Ivan Davydov<br /> Director: Anton Groves<br /> Production: Yarche, Carioca Studio<br /> Published: September 2012</p> <div class="feedflare"> <a href="http://feeds.feedburner.com/~ff/Advertising/designGoodness?a=TyFRN0Nwp8w:pRz2E2o7VLo:yIl2AUoC8zA"><img border="0" src="http://feeds.feedburner.com/~ff/Advertising/designGoodness?d=yIl2AUoC8zA" /></a> <a href="http://feeds.feedburner.com/~ff/Advertising/designGoodness?a=TyFRN0Nwp8w:pRz2E2o7VLo:7Q72WNTAKBA"><img border="0" src="http://feeds.feedburner.com/~ff/Advertising/designGoodness?d=7Q72WNTAKBA" /></a> <a href="http://feeds.feedburner.com/~ff/Advertising/designGoodness?a=TyFRN0Nwp8w:pRz2E2o7VLo:V_sGLiPBpWU"><img border="0" src="http://feeds.feedburner.com/~ff/Advertising/designGoodness?i=TyFRN0Nwp8w:pRz2E2o7VLo:V_sGLiPBpWU" /></a> <a href="http://feeds.feedburner.com/~ff/Advertising/designGoodness?a=TyFRN0Nwp8w:pRz2E2o7VLo:qj6IDK7rITs"><img border="0" src="http://feeds.feedburner.com/~ff/Advertising/designGoodness?d=qj6IDK7rITs" /></a> <a href="http://feeds.feedburner.com/~ff/Advertising/designGoodness?a=TyFRN0Nwp8w:pRz2E2o7VLo:l6gmwiTKsz0"><img border="0" src="http://feeds.feedburner.com/~ff/Advertising/designGoodness?d=l6gmwiTKsz0" /></a> <a href="http://feeds.feedburner.com/~ff/Advertising/designGoodness?a=TyFRN0Nwp8w:pRz2E2o7VLo:wF9xT3WuBAs"><img border="0" src="http://feeds.feedburner.com/~ff/Advertising/designGoodness?i=TyFRN0Nwp8w:pRz2E2o7VLo:wF9xT3WuBAs" /></a> <a href="http://feeds.feedburner.com/~ff/Advertising/designGoodness?a=TyFRN0Nwp8w:pRz2E2o7VLo:F7zBnMyn0Lo"><img border="0" src="http://feeds.feedburner.com/~ff/Advertising/designGoodness?i=TyFRN0Nwp8w:pRz2E2o7VLo:F7zBnMyn0Lo" /></a> <a href="http://feeds.feedburner.com/~ff/Advertising/designGoodness?a=TyFRN0Nwp8w:pRz2E2o7VLo:gIN9vFwOqvQ"><img border="0" src="http://feeds.feedburner.com/~ff/Advertising/designGoodness?i=TyFRN0Nwp8w:pRz2E2o7VLo:gIN9vFwOqvQ" /></a> </div>

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UPDATED: 8 MONTHS, 3 WEEKS

Shake It Up Parkinson

<p> <br /> </p> <p>This mini-documentary captures a thought provoking campaign with the sole purpose to increase awareness into Parkinson’s disease.</p> <p>Starting on World Parkinson’s Day (April 11), various Sydney cafe’s were thrown off balance to highlight the fact that Parkinson’s affects everyone. </p> <p>Over 1,000 wooden wedges (the kind you use to hold a door open) were produced with a message printed clearly on each side. One side of the wedge showed the title of the campaign, “It’s more than just the shakes.” When flipped over, the printed copy read, “Thirty Australians are diagnosed with Parkinson’s disease every day. But thousands more are affected, from family to friends. You can help stop it at shakeitup.org.au”. </p> <p>The wedges were placed under various tables in cafés and restaurants. Cameras recorded people’s reactions to their wobbly tables, spilled coffees, tipped sugar bowls and of course, their reactions to the wedge messages. </p> <p>The stunt itself was designed to spark a conversation about Parkinson’s Disease and address the misconceptions that PD is just ‘an old people’s disease’, and about ‘having the shakes’, but more affects everyone connected to the person with PD — from family and friends to co-workers. </p> <p>Agency: Ogilvy, Sydney, Australia<br /> Executive Creative Director: Brett Howlett<br /> Planning Director: Gerry Cyron<br /> Group Creative Director: Michael Raso<br /> Copywriter: Mietta Macfarlane<br /> Art Director: Luke Chard<br /> Account Management: Alison Howlett<br /> Executive Producer: Rob Spencer<br /> Producer: Gabe Hammond<br /> Director/DP: Peter Bloomfield<br /> Editor: Fraser Kelton</p> <div class="feedflare"> <a href="http://feeds.feedburner.com/~ff/Advertising/designGoodness?a=H_kQWYhPbqI:xlxr4IaghT0:yIl2AUoC8zA"><img border="0" src="http://feeds.feedburner.com/~ff/Advertising/designGoodness?d=yIl2AUoC8zA" /></a> <a href="http://feeds.feedburner.com/~ff/Advertising/designGoodness?a=H_kQWYhPbqI:xlxr4IaghT0:7Q72WNTAKBA"><img border="0" src="http://feeds.feedburner.com/~ff/Advertising/designGoodness?d=7Q72WNTAKBA" /></a> <a href="http://feeds.feedburner.com/~ff/Advertising/designGoodness?a=H_kQWYhPbqI:xlxr4IaghT0:V_sGLiPBpWU"><img border="0" src="http://feeds.feedburner.com/~ff/Advertising/designGoodness?i=H_kQWYhPbqI:xlxr4IaghT0:V_sGLiPBpWU" /></a> <a href="http://feeds.feedburner.com/~ff/Advertising/designGoodness?a=H_kQWYhPbqI:xlxr4IaghT0:qj6IDK7rITs"><img border="0" src="http://feeds.feedburner.com/~ff/Advertising/designGoodness?d=qj6IDK7rITs" /></a> <a href="http://feeds.feedburner.com/~ff/Advertising/designGoodness?a=H_kQWYhPbqI:xlxr4IaghT0:l6gmwiTKsz0"><img border="0" src="http://feeds.feedburner.com/~ff/Advertising/designGoodness?d=l6gmwiTKsz0" /></a> <a href="http://feeds.feedburner.com/~ff/Advertising/designGoodness?a=H_kQWYhPbqI:xlxr4IaghT0:wF9xT3WuBAs"><img border="0" src="http://feeds.feedburner.com/~ff/Advertising/designGoodness?i=H_kQWYhPbqI:xlxr4IaghT0:wF9xT3WuBAs" /></a> <a href="http://feeds.feedburner.com/~ff/Advertising/designGoodness?a=H_kQWYhPbqI:xlxr4IaghT0:F7zBnMyn0Lo"><img border="0" src="http://feeds.feedburner.com/~ff/Advertising/designGoodness?i=H_kQWYhPbqI:xlxr4IaghT0:F7zBnMyn0Lo" /></a> <a href="http://feeds.feedburner.com/~ff/Advertising/designGoodness?a=H_kQWYhPbqI:xlxr4IaghT0:gIN9vFwOqvQ"><img border="0" src="http://feeds.feedburner.com/~ff/Advertising/designGoodness?i=H_kQWYhPbqI:xlxr4IaghT0:gIN9vFwOqvQ" /></a> </div>

UPDATED: 9 MONTHS

Toronto Humane Society

<p> <form action="http://www.frederiksamuel.com/blog/SINGLE_AD_PAGE.php" method="get" name="ad_form"> <input id="ad" name="ad" type="hidden" value="THS_dog_caller.jpg" /> <a href="http://www.frederiksamuel.com/blog/SINGLE_AD_PAGE.php?ad=THS_dog_caller.jpg"><img src="http://www.frederiksamuel.com/blog/images/THS_dog_callert.jpg" width="350" /></a></form> <p></p> <div class="posttextbox"> <p>Rethink invented a thermal dog collar called the ‘the dog CALLER’ that actually contacts the dog owner’s smart phone if their pooch is in trouble. “When the collar hits 26.5 degrees, the device will alert your phone.” The prototype collar is fully functional and the Toronto Humane Society and Rethink are working with designers and manufacturers, as well as looking to crowd-fund the final product with the end goal of having it widely available to the public in the New Year.</p> <p>Agency: Rethink Toronto, Canada<br /> Creative Directors: Aaron Starkman, Dre Labre<br /> Writers: Aaron Starkman, Mike Dubrick<br /> Art Director: Joel Arbez<br /> Digital Producer: Sarah Lasch</p> </div> <div class="feedflare"> <a href="http://feeds.feedburner.com/~ff/Advertising/designGoodness?a=Ab32fUpGlvY:0rVC0ZzEIeQ:yIl2AUoC8zA"><img border="0" src="http://feeds.feedburner.com/~ff/Advertising/designGoodness?d=yIl2AUoC8zA" /></a> <a href="http://feeds.feedburner.com/~ff/Advertising/designGoodness?a=Ab32fUpGlvY:0rVC0ZzEIeQ:7Q72WNTAKBA"><img border="0" src="http://feeds.feedburner.com/~ff/Advertising/designGoodness?d=7Q72WNTAKBA" /></a> <a href="http://feeds.feedburner.com/~ff/Advertising/designGoodness?a=Ab32fUpGlvY:0rVC0ZzEIeQ:V_sGLiPBpWU"><img border="0" src="http://feeds.feedburner.com/~ff/Advertising/designGoodness?i=Ab32fUpGlvY:0rVC0ZzEIeQ:V_sGLiPBpWU" /></a> <a href="http://feeds.feedburner.com/~ff/Advertising/designGoodness?a=Ab32fUpGlvY:0rVC0ZzEIeQ:qj6IDK7rITs"><img border="0" src="http://feeds.feedburner.com/~ff/Advertising/designGoodness?d=qj6IDK7rITs" /></a> <a href="http://feeds.feedburner.com/~ff/Advertising/designGoodness?a=Ab32fUpGlvY:0rVC0ZzEIeQ:l6gmwiTKsz0"><img border="0" src="http://feeds.feedburner.com/~ff/Advertising/designGoodness?d=l6gmwiTKsz0" /></a> <a href="http://feeds.feedburner.com/~ff/Advertising/designGoodness?a=Ab32fUpGlvY:0rVC0ZzEIeQ:wF9xT3WuBAs"><img border="0" src="http://feeds.feedburner.com/~ff/Advertising/designGoodness?i=Ab32fUpGlvY:0rVC0ZzEIeQ:wF9xT3WuBAs" /></a> <a href="http://feeds.feedburner.com/~ff/Advertising/designGoodness?a=Ab32fUpGlvY:0rVC0ZzEIeQ:F7zBnMyn0Lo"><img border="0" src="http://feeds.feedburner.com/~ff/Advertising/designGoodness?i=Ab32fUpGlvY:0rVC0ZzEIeQ:F7zBnMyn0Lo" /></a> <a href="http://feeds.feedburner.com/~ff/Advertising/designGoodness?a=Ab32fUpGlvY:0rVC0ZzEIeQ:gIN9vFwOqvQ"><img border="0" src="http://feeds.feedburner.com/~ff/Advertising/designGoodness?i=Ab32fUpGlvY:0rVC0ZzEIeQ:gIN9vFwOqvQ" /></a> </div>

UPDATED: 9 MONTHS, 1 WEEK

Stella Naturals

UPDATED: 9 MONTHS, 1 WEEK

Allianz Drunk Mirror

<p> <p><a href="http://vimeo.com/47171653">DRUNK MIRROR</a> from <a href="http://vimeo.com/drunkmirror">DrunkMirror</a> on <a href="http://vimeo.com">Vimeo</a>.</p> <p></p> <p>To raise awareness about the danger of drinking and driving OgilvyOne created an action at a famous bar in São Paulo. Using a TV screen created a very unusual mirror: a mirror with a delayed reflection effect. When people interacted with it a message would appear alerting how drinking can slower the driver’s reflex.</p> <p>Agency: OgilvyOne, São Paulo, Brazil<br /> Chief Creative Officer: Anselmo Ramos<br /> Executive Creative Director: Marcos Ribeiro<br /> Creative Director: Marcos Ribeiro / Alexandre Ravagnani<br /> Art Director: Fernando Passos / Rafael Gatuzzo<br /> Copywriter: Flavio Tamashiro / Erich Moreira<br /> Account: Felipe Obara / Andrea tornovsky / Denise Caruso<br /> Media: Luciana Serra / Larissa Dias<br /> Planner: Luis Stateri / Marian Travassos / Cleber Almeida<br /> Producer: Cecília Taioli / Adriana Jorge<br /> Production Company: Santa Transmedia<br /> Film Director: Gustavo Rodrigues<br /> Sound Design: Sound Design<br /> Cilent: Ivan Pacicco / Luis Dix</p> <div class="feedflare"> <a href="http://feeds.feedburner.com/~ff/Advertising/designGoodness?a=B_PqycDsI9c:jjoekm-eQo8:yIl2AUoC8zA"><img border="0" src="http://feeds.feedburner.com/~ff/Advertising/designGoodness?d=yIl2AUoC8zA" /></a> <a href="http://feeds.feedburner.com/~ff/Advertising/designGoodness?a=B_PqycDsI9c:jjoekm-eQo8:7Q72WNTAKBA"><img border="0" src="http://feeds.feedburner.com/~ff/Advertising/designGoodness?d=7Q72WNTAKBA" /></a> <a href="http://feeds.feedburner.com/~ff/Advertising/designGoodness?a=B_PqycDsI9c:jjoekm-eQo8:V_sGLiPBpWU"><img border="0" src="http://feeds.feedburner.com/~ff/Advertising/designGoodness?i=B_PqycDsI9c:jjoekm-eQo8:V_sGLiPBpWU" /></a> <a href="http://feeds.feedburner.com/~ff/Advertising/designGoodness?a=B_PqycDsI9c:jjoekm-eQo8:qj6IDK7rITs"><img border="0" src="http://feeds.feedburner.com/~ff/Advertising/designGoodness?d=qj6IDK7rITs" /></a> <a href="http://feeds.feedburner.com/~ff/Advertising/designGoodness?a=B_PqycDsI9c:jjoekm-eQo8:l6gmwiTKsz0"><img border="0" src="http://feeds.feedburner.com/~ff/Advertising/designGoodness?d=l6gmwiTKsz0" /></a> <a href="http://feeds.feedburner.com/~ff/Advertising/designGoodness?a=B_PqycDsI9c:jjoekm-eQo8:wF9xT3WuBAs"><img border="0" src="http://feeds.feedburner.com/~ff/Advertising/designGoodness?i=B_PqycDsI9c:jjoekm-eQo8:wF9xT3WuBAs" /></a> <a href="http://feeds.feedburner.com/~ff/Advertising/designGoodness?a=B_PqycDsI9c:jjoekm-eQo8:F7zBnMyn0Lo"><img border="0" src="http://feeds.feedburner.com/~ff/Advertising/designGoodness?i=B_PqycDsI9c:jjoekm-eQo8:F7zBnMyn0Lo" /></a> <a href="http://feeds.feedburner.com/~ff/Advertising/designGoodness?a=B_PqycDsI9c:jjoekm-eQo8:gIN9vFwOqvQ"><img border="0" src="http://feeds.feedburner.com/~ff/Advertising/designGoodness?i=B_PqycDsI9c:jjoekm-eQo8:gIN9vFwOqvQ" /></a> </div>

UPDATED: 9 MONTHS, 1 WEEK

Drugfree.org

UPDATED: 9 MONTHS, 1 WEEK

DNA Project

<p> <br /> </p> <p>Every year in South Africa thousands of criminals escape conviction due to people disturbing crime scene evidence. The DNA Project set out to educate the public never to interfere with a crime scene. We created a 6x8m canvas out of small white stones. Onto this we spray painted the giant mugshot of a criminal. As people walked over the installation the criminal’s identity became more and more unrecognisable.</p> <p>Agency: FoxP2 Cape Town, South Africa<br /> Executive Creative Director: Justin Gomes<br /> Art Directors: Reijer Van Der Vlugt, Brendan Hoffmann<br /> Copywriters: Justin Osburn, Kenneth Van Reenen<br /> Installation built by: More Design<br /> Video shot and edited by: NiceOneSteve</p> <div class="feedflare"> <a href="http://feeds.feedburner.com/~ff/Advertising/designGoodness?a=n3-GyXns4cw:VArfQPIyBZw:yIl2AUoC8zA"><img border="0" src="http://feeds.feedburner.com/~ff/Advertising/designGoodness?d=yIl2AUoC8zA" /></a> <a href="http://feeds.feedburner.com/~ff/Advertising/designGoodness?a=n3-GyXns4cw:VArfQPIyBZw:7Q72WNTAKBA"><img border="0" src="http://feeds.feedburner.com/~ff/Advertising/designGoodness?d=7Q72WNTAKBA" /></a> <a href="http://feeds.feedburner.com/~ff/Advertising/designGoodness?a=n3-GyXns4cw:VArfQPIyBZw:V_sGLiPBpWU"><img border="0" src="http://feeds.feedburner.com/~ff/Advertising/designGoodness?i=n3-GyXns4cw:VArfQPIyBZw:V_sGLiPBpWU" /></a> <a href="http://feeds.feedburner.com/~ff/Advertising/designGoodness?a=n3-GyXns4cw:VArfQPIyBZw:qj6IDK7rITs"><img border="0" src="http://feeds.feedburner.com/~ff/Advertising/designGoodness?d=qj6IDK7rITs" /></a> <a href="http://feeds.feedburner.com/~ff/Advertising/designGoodness?a=n3-GyXns4cw:VArfQPIyBZw:l6gmwiTKsz0"><img border="0" src="http://feeds.feedburner.com/~ff/Advertising/designGoodness?d=l6gmwiTKsz0" /></a> <a href="http://feeds.feedburner.com/~ff/Advertising/designGoodness?a=n3-GyXns4cw:VArfQPIyBZw:wF9xT3WuBAs"><img border="0" src="http://feeds.feedburner.com/~ff/Advertising/designGoodness?i=n3-GyXns4cw:VArfQPIyBZw:wF9xT3WuBAs" /></a> <a href="http://feeds.feedburner.com/~ff/Advertising/designGoodness?a=n3-GyXns4cw:VArfQPIyBZw:F7zBnMyn0Lo"><img border="0" src="http://feeds.feedburner.com/~ff/Advertising/designGoodness?i=n3-GyXns4cw:VArfQPIyBZw:F7zBnMyn0Lo" /></a> <a href="http://feeds.feedburner.com/~ff/Advertising/designGoodness?a=n3-GyXns4cw:VArfQPIyBZw:gIN9vFwOqvQ"><img border="0" src="http://feeds.feedburner.com/~ff/Advertising/designGoodness?i=n3-GyXns4cw:VArfQPIyBZw:gIN9vFwOqvQ" /></a> </div>

UPDATED: 11 MONTHS, 1 WEEK

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